Miscroscopy in prints authentication

A microscope is often used by an authentication expert to date the kind of printing used to make both photographs and ink-and-printing-press prints. Modern reprints and counterfeits are often identified because the microscope shows the printing is too modern. An 1870 print couldn't have been made with a printing technology invented in 1985. For an … Continue reading Miscroscopy in prints authentication

A common misperception about limited edition prints

Some prints, photographs and other types of art and collectibles are limited edition numbered: say, 1/50 (1 of 50 made), 2/50, 3/50 .... 50/50. Some collectors feel that the first print or photograph or figurine 'off the presses,' is the most valuable, and, as one might expect, pick one that is numbered 1/50. The thing … Continue reading A common misperception about limited edition prints

The difference between a fake and a forgery

A forgery is an item that was made to fool others into believing it is something it is not. This includes counterfeits, but also made up items like a ‘newly discovered’ Rembrandt painting.On the other hand, a fake is an item that is seriously misidentified or who's identity is seriously misrepresented. This includes forgeries and … Continue reading The difference between a fake and a forgery

Using a black light to identify many fakes

An inexpensive and easy to use longwave black light is a great tool for quickly identifying reprints and fakes of Pre World War II paper material. This includes trading cards, photographs, programs, posters, postcards, tickets and anything made of paper. A black light is effective in identifying of many, though not all, modern paper stocks. … Continue reading Using a black light to identify many fakes